Winter drawers on

With the main carcasses now taking shape, it is time to fabricate the main plinth drawer that will contain the information map and artifact collection.

The process started by fixing the slide mechanisms in position onto the bulkhead panels. It was at this point that it became obvious just how, even the tiniest deviation for squareness and straightness, can cause problems with drawer fitting. Various small adjustments were necessary before the drawer would operate smoothly and without misalignment.

The precise nature of the internal design of the drawer is still evolving, but upon sliding the drawer open there will be a hinged lid with a hand-drawn period map of Littleport. This will identify the JH Adams & Sons property on Main Street, plus other sites of historic interest within the town.

Lifting the lid will reveal a collection of period artifacts found in the shop, forge and barn. The method of displaying this material is still to be decided, but I favour the idea of a wooden compartment system, much like a traditional typesetters' type tray. A clear polycarbonate cover could provide an unbreakable security cover to ensure that bits and pieces do not go missing. However, if we dispense with the clear cover, each item might somehow be "stitched" in position within its own compartment, they would be secure but would also e exposed to offer an added tactile experience.

At this stage it is easier to make provisions for possible enhancements. Even if not eventually adopted, I would like to have the option to route some internal lighting into the drawer compartments. Now it may later become evident that such provision is over-the-top-in terms of presentation (and expense), but it is so much easier to drill a few holes now, rather than have to hack it about later because of a change of mind.

The original pine shelf proved sufficient to produce all moulding sections and panel cladding for both model plinths and complete drawer assembly.

Although the original outer surfaces of the shelf had a wonderful, 150 year old patina, when sliced into over 100 pieces, the timber appeared all new, fresh and naked. It was necessary to recreate the surface appearance with the use of spirit-based wood stains of various colours.